Review: Doctor Who – Deep Breath

There’s a triple meaning in the name of the episode which opens Series 8 of Doctor Who next Sunday.

Deep Breath, broadcast in the UK on Saturday night, showed in cinemas around New Zealand on Sunday and it was, erm, breathtaking.

First new Doctor actor Peter Capaldi was required to take a metaphorical deep breath before plunging into the depth of the role of the new Doctor. The audience was also required to do the same after saying farewell to previous Doctor Matt Smith in last year’s Christmas Special: The Time of the Doctor. Thirdly, the Doctor and time travelling Clara Oswald (Jenna Coleman) are literally required to do the same in the story but to say why and when would spoil it for you if you haven’t already seen it. And to paraphrase another companion of the Doctor’s, Professor River Song, “Spoilers!”

Deep Breath

Capaldi’s arrival on screen has been much anticipated by fans since he was officially announced as the next Doctor at a special televised BBC event on August 4, 2013. He had already appeared as the Pompeian marble merchant Caecillius opposite 10th Doctor David Tennant in the fourth series episode Fires of Pompeii.

So what’s the new Doctor like? It’s like someone has taken all the best bits of the previous incarnations of the Doctor, thrown them into a blender and hit blend. Capaldi’s Doctor seems, from this one short episode, the complete opposite to Smith’s. Capaldi’s is a young man in an old man’s body compared to Smiths old man in a young man’s body. He wears a dark jacket reminiscent of the first and second Doctors, William Hartnell and Patrick Troughton, with crimson lining reminiscent of third Doctor Jon Pertwee’s Count Dracula style cape.

The Doctor’s time machine, the TARDIS, has also changed in the console room. Instead of the bright blues and greens of Smith’s era the ship is swathed in darkness and reds.

This is a more dangerous version of the Time Lord than we have seen for a long time. One whose eyebrows could open beer bottles!

There’s no way Doctor Who show runner Steven Moffat could have been planning Capaldi’s portrayal of the Doctor since 2008 since the story was penned by James Moran and Russell T Davies was running the show back then. But Moffat, who penned Deep Breath, deliberately has us wondering if he is somehow going to explain why the new Doctor is reminiscent of a Roman citizen from millennia ago. He even has the new Doctor pondering, after seeing himself in the mirror, why his new face is so familiar. Perhaps, the audience is supposed to think, this new Doctor went back to The Fires of Pompeii to help his 10th incarnation out. But it’s companion Donna Noble (Catherine Tate) who pleads for mercy and convinces him to save Caecillius and his family from the volcano. What, Moffat makes the audience think, if Caecillius was indeed the future Doctor in disguise come back in time to enable the Doctor to save himself?

Like most Moffat stories, whether they’re Doctor Who or Sherlock Holmes, Deep Breath starts out as one story and ends up telling another. It starts with the arrival of a dinosaur in Victorian era London, but the audience quickly discovers the Doctor and Clara have much bigger problems to worry about as the old man gets used to his new body.

If you want to get the most out of the story you’ll need to see Moffat’s second series episode The Girl in the Fireplace again. While not absolutely necessary, some lines in the closing scenes of the story will make much more sense if that story is fresh in your mind. It will also help if you watch Smith’s departure, The Time of the Doctor, again since it is eight months since we saw that and it is referenced in a very nice way.

With a new Doctor comes new titles, and the new sequence is the most radical of the show’s overhauls. The TARDIS no longer tumbles through the time vortex but a sea of clockwork cogs and a never ending spiralling clock-face. It looks just magnificent.

The internet, however, is divided on the theme’s new arrangement. It sounds, to me, something like how Mike Oldfield of Tubular Bells fame might have arranged it if he had been given the chance. It’s certainly quirky and different, which is how you would also describe the series itself.


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s